Großer Wurf #1
- Title work for the solo exhibition of the Städtische Galerie Braunschweig (halle267) 2018
- Photographic self-dramatization - Between sex appeal and mother role
- Contemporary artist from Braunschweig, Germany
- Over 1 meter high - Limited to 3 copies
- Verified Artworks
- Free shipping in EU
- Preferred delivery date
- Test hanging
- 14 days money back guarantee
€3,808.00
Available, delivery time: after exhibition end
Informations about the artwork
| Category | Photography |
|---|---|
| artist | Nitsch, Hanna |
| year | 2018 |
| Title | Großer Wurf #1 |
| size 1 | 117,0 x 78,0 cm |
| material | Fine Art Print on FotoRag |
| edition | 3 copies (+ 1AP), here No. 1 |
| signature | Verso signed |
| publication | Kennedy, B. & Machenroth, J. (Hrsg.) (2020). I Love Women in Art. 100womenartists. |
| Provenance | Studio of the artist |
Information about the condition
|
The Photography is in a very good condition |
Information about the artist
|
Hanna Nitsch was born in Freiburg in 1974. Nitsch studied philosophy and German language and literature, and later fine arts with Peter Dreher and Silvia Bächli in Karlsruhe. In 2003 she was accepted into the Cusanuswerk's scholarship programme for gifted children. She completed her studies with Herrman Albert and Klaus Stümpel at the HBK Braunschweig in 2007 as a master student. . Nitsch initially chose mainly drawing as her medium - powerful ink colours, for example, characterise the perfectly staged portraits of her children. The observation and representation of her three children form one of her most important motifs over the years. In recent years she has expanded her repertoire, experimenting with graphics, ceramics, video and especially photography. 'Among the central questions of my artistic practice are those of role patterns and stereotypes, of my role as an artist, woman and mother in society, of self-perception and external perception and the resulting criticism of posthuman body design in the age of digital and social media. Where is the authenticity of the body subject in the age of capitalist mass design of the body? Is there an inaccessible last space of the 'interior'?' Hanna Nitsch The artist has recently had solo exhibitions in the municipal galleries in Braunschweig, Wolfsburg and Wiesbaden. Her art is also regularly in excellent company, for example, it was shown in the 2012 exhibition 'Das eigene Kind im Blick - Künstlerkinder von Runge bis Richter, von Dix bis Picasso' and is prominently featured in the recently published anthology 'I Love Women In Art' (Munich 2020) with 100 portraits of women artists - including Hannah Höch, Marianne Brandt, VALIE EXPORT and Monica Bonvicini - presented by 100 women from the art world. Hanna Nitsch lives and works in Braunschweig. |
e.artis safety
Art trade is a matter of trust.